WestWorld / Season 1 (2016)

"They say that great beasts once roamed this world. Big as mountains. Yet all that's left of them is bone and amber. Time undoes even the mightiest creatures. Just look what it's done to you. One day, you will perish. You will like with the rest of your kind in the dirt. Your dreams forgotten, your horrors faced, your muscles will turn to sand, and upon that sand a new God will walk, one that will never die, because this world doesn't belong to you or the people who came before. It belongs to someone who is yet to come."

This great line of probably one of the best TV shows today made me think of an idea expressed by paleoanthropologist Yves Coppens in The Most Beautiful Story of The World. "It is unsure if we humans are to be the heroes of this story" The "story" being Earth's geological/biological evolution since its formation. We humans have been here on this planet for a mere million years. How long will we survive? Let's not forget that there are still like 4.000 million years of Earth history yet to unfold!

So will humans last? How long? And if not, who will their succesors be? And will these be the product of evolution/biology (as we were), or rather the product of (human-derived) technology?

Our descendants, the new masters of the world, will they be of the carbon type? Or rather of the silicon type, like these Westworld "artificial" but increasingly -through experience and change- humanlike creatures?

Onibaba (鬼婆, 1964)

As well as books, movies are countless. Over a century of movie-creating has resulted in an infinitude of them. In all languages, all topics and genres, all possible human approaches, and from all countries. Quite a few outstand as well-known masterpieces (Kane, Potemkim, Vertigo, 8 1/2, Tokio Story, 2001, Rashomon, Rules of the Game, and the like). But so many years of the so-called (7th)art have inevitably also led to the existence of a good amount of forgotten classics. That is: movies of obvious quality and aesthetic value but no longer (if ever) present in the charts, the critics' reviews or moviegoers' conversations. Perhaps forgotten is not the right word of course, as these movies are not actually "forgotten", but sure they're (a bit) neglected. At least outside the country where they originated.

Here's one of those hidden gems: Onibaba (鬼婆, 1964), from one of the most important cinematographies in the world: Japan. This dark hypnotic movie is not exactly a hidden gem. It is a gem, sure, but not "hidden", at least not in Japan. But is it known or heard of by most fans (even horror fans) in the West or the rest of the world? I doubt it.

The story of Onibaba is set in Japan in the mid 14th Century, during a period of civil war, of death, poverty and hunger, of loneliness and suffering. Two women, mother and daughter-in law, survive by killing soldiers after inadvertedly atacking them with spears, or tricking them into a deep hole. They later trade with their possessions, and that is how they make their living. A dangerous living in the nearly perpetual dusk (even under the sunlight) of this ominous world of Onibaba. 

Later on, at some point, the two women will be haunted by a sort of masked demon, whose origin was a previously killed (by them) masked samurai. Directed by Kaneto Shindo (who worked as an assistant of the legendary japanese director Kenji Mizoguchi), Onibaba is a true Japanese horror classic. Little known (or not at all) in the West. Some critics consider the movie to be a period drama, but most view it plainly as a horror movie. Well, it is both. And it contains solitude, hunger, maddening sexual desire, jealousy, fear, deceit, murder, claustrophobia, a menacing war background, and the presence of the supernatural, A great deal of symbolism underlies the story. (The mask hiding the desfigured samurai might be a symbol of that real Japan desfigured by the Hiroshima bombing, etc)

"Onibaba is a chilling movie, a waking nightmare shot in icy monochrome, and filmed in a colossal and eerily beautiful wilderness" Peter Bradshaw

Onibaba is a gem, hidden o not, not to be missed.